Adel Souto

writer / musician / troublemaker

Calling A Spade A Spade

[NOTE] This is a rebuttal to a piece, titled “The Good, Racist People”, which was posted to the NY Times website, one month ago.
Please read it here, first, to be fair.
Now, after you read my work, feel free to contact me, so as to break my logic, as I love a good debate.
However, do keep in mind that this work has ostracized me. A handful of my friends told me it was a wonderfully written piece that would never see the light of day, only because a white male is using racially charged language (a handful of others didn’t even reply to my request for philosophical help).
Turns out that, not only would it not be used (*and soon-to-be-read-of homeless woman stays hungry), I was told to never contact many of the publishers again.
Keep in mind, I hold no fear. I know I speak with a forked tongue.
Though I’d rather have you debate me, turn your back if you must, but do read on:


“We had the best organization the black man’s ever had. Niggers ruined it.”
- Malcolm X (to Alex Haley)

A friend posted an article, by senior editor of The Atlantic, and NY Times blogger Ta-Nehisi Coates, titled “The Good, Racist People”, where the writer pointed out that racism is in us all, no matter how much you think you are not racist.
It ended with him realizing that the offenders in the incident he wrote of were all decent people, though I only saw them as apologetic. “Good” he labeled them, but he also ended the piece with the words, “…I knew that I was tired of good people, that I had had all the good people I could take.”
With this article, my friend posted the statement, “In a racist society, everyone is a racist. If you claim not to be, you’re lying to yourself.”
It turns out I had so many problems with the piece (and my friend’s statement), I lashed out, and began a Facebook flame war between he and I, and all his other friends.
Commenting on my friend’s post, I used the defense, “I’m not racist because I do not do racist things, “and then immediately used my racism to point out what I claimed not to do; such as hang out with people who thought themselves to be racist, all the while assuring them they are not, because they simply dislike the negative behaviors of individual members of a defined neighborhood, religion, or culture.
My argument became invalid, though I thought I was doing more good than harm.
I then realized I was not angry at the statement, but the defeatist attitude of both my friend, and a writer who wrote an article with no solution, which he was probably paid up to $200 for.
By the way, if I get paid for this piece, * I’ll donate every penny to a black homeless woman on the corner of the area of Bed -Stuy that this white boy currently resides in.
Anyway, since 2000, I was an advocate of postmodern philosophy. I believed in Michel Foucaults’ theories of micropolitics, and the process of true inspection on every level of being. My biggest problem is that if we are going to lift logs, and cry about all the tiny stuff that is under every log, we need to come up with a proper eradication process as well. If I inspect under rocks, without proper pest control, and the bugs get out, and all over my clothes, who is to blame, but me?
Later in life, Foucault came to understand that we need to step back to see the forest from the trees, introducing theories of macropolitics. In other words, we need to be level headed.
By the writer, and my friend, exposing an ugly truth, they, in turn, show me in an ugly light, no matter my good. That’s not fairly, or, at least, positively clearing the field.
What if I did stop letting “racists” into my life? Who would be there to enlighten them?
By casting me as racist, too, I am now equally the enemy, no matter the level of consortion with all your other enemies (be they religion, class, gender, criminality, ad nauseum).
Using this point of view: we all jay walk, therefore we are all law breakers; we all like youthfulness, therefore we are all pedophiles.
There is no problem with pointing out the ills of society, and there are problems that need to be fixed. I’d like those problems pointed out, and pointed out well. We need to fix those issues!
The problem with the “everyone’s guilty” logic is that it cheapens the real issue of racism. If we’re all guilty, all we do is spend time pointing fingers. This is what Jean Baudrillard critiqued most of capitalist society, as subjects become most dominated by their own fetishes and alienated object creations.
Later, Jean-François Lyotard showed that if we keep up old set paradigms in language games, such as “universal truths”, we retard the collection of knowledge, and stagnate, often oppressing other minority discourses. If we’re all guilty, there is no one who has the right to say anything, and he who does, speaks without relevance.
Critical social theorists, such as Theodor Adorno, have been pulled into postmodernist schools of thought, as they also used macro- and micro-views to define and illustrate crucial societal issues and conflicts, to develop solutions, while complainers, on the other hand, just whine.
So, here, I’m going to try to show why this viewpoint is a poor one, and, sadly, I’ll be using some harsh words, so get over that now.
If we live by the mindset “we’re all racist” there is nothing positive behind that, and I have to lower myself to say, “Yes, I am a racist.”
Okay, I’ll lower myself to that standard, so I’m going to start by being okay with my racism, in the way that I don’t hate blacks, I hate “niggers”.
Fans of Chris Rock (or the US version of The Office) know exactly what I mean. Those types that ruin their community, steal from loved ones, and are just poor examples of humanity, but just happen to be black.
Via the logic of micropolitics, I now have to see that I didn’t dislike individuals for their negative traits, but partially had a problem with their race all along. I’m coming down with you here, so I have to then ask:
Can I openly call those people “nigger”?
I don’t mean I’ll shout it from the rooftops, or even pepper it into conversation, but truly believe it, in my head and heart, when I say it.
What I currently do, is accept their fault, send them some love, and move on with the rest of my life.
Yes, if I deeply inspect everyone, I will find horrible things, and wind up living a really horrible life.
Negativity breeds negativity, and, if that’s what you want, the world will play that game with you, but when it does, there is no complaining the world is shit. You made it that way.
From here on out, I’m going to raise myself back up, be the normally positive person I am, and, while I realize that there is racism everywhere, I won’t keep pointing out that we’re all guilty.
I’m sorry Ta-Nehisi, if that is your real name, that your girlfriend was called a “nigger” at nine years old, and never got over it. When I was in the fourth grade, my teacher Mrs. Parker, a black woman, psychologically tortured me, and, once, even threw a stapler at me in the middle of class. I learned to forgive, but not forget, and if I happen to see her someday, I’ll let her know how she hurt me, without using hurtful words.
To heel, so, finally, we may learn, I’m through here with the word “nigger” (to some “spic”, and others “cracker”, etcetera). I’m going back to using the word that describes truly ugly individuals for who they are: “asshole”.
Why?
Because I love you, my nigga.

I Am Pretty Peculiar, I Guess

David Rondinelli, over at the blog This Peculiar Life NYC, posted a pretty in depth, and rather intense, interview with me, about many of my projects, as well as the rituals I preform.

Some Wicked Influences

I gave a lecture for the class Projects in Photography, at NYU’s Steinhardt School of Culture, Education, and Human Development’s Department of Art and Art Professions, on occult and magic influences in and on photography, back in February.
You can download an mp3 of it, though with none of the images mentioned, here (22 Mb).
A video, with a few images, has been posted here.

A Very Limited Life



Artist edition of 156’s A Life Lived As If In Hell EP, has a CDr (containing extra unreleased track), tucked into straightjacket designed by A. Souto, with logo stenciled on chest. Limited to only one copy!
The standard version will soon be available on Out of Body as a 30-minute, professionally pressed, cassette tape, limited to 100 copies, with cover art (see below) by Rob Buttrum, and 156 logo by tattoo artist Liorcifer.

Stairway to Stupidity

In May of 1978, Little Roger and the Goosebumps, a band from San Francisco, released a single on Splash Records, both being the brainchild of cultural anthropologist Roger Clark.
The A side of said single was a spoof on “Stairway to Heaven” with the lyrics from the TV show Gilligan’s Island replacing the original’s.
In a little over a month, lawyers representing the band Led Zeppelin threatened to sue the hell out of Mr. Clark, asking that all copies be destroyed.
Except for a few 7”es that were already distributed, the band complied by nixing the single, as well as the song from their set list.

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In 1980, they recorded another single, “Kennedy Girl”, which was based on Neil Young’s “Cinnamon Girl”. Young did not sue.
After years of internet infamy, and eBay sales of the single going for $1000 or more, Roger Clark reformed the band and produced their debut album They Hate Us Cuz We’re Beautiful, with 14 new recordings of songs from three decades of original material.

Here is a music file of the song that started it all:

Little Roger and the Goosebumps “Gilligan’s Island (Stairway)” (3 Mb mp3 @ 128Kbps)

Only 8 Steps In This Dance

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Artist edition of 156’s Eight Steps In the Dance EP, has one professionally pressed cassette tape, enclosed in a 6x9” envelope, with unique, 8-pointed, hand-drawn cover work by A. Souto, along with a sealed slide of artist’s blood, collected after 156-day ritual. Only eight made, signed and numbered.
The standard version will soon be available on Goat-Eater Arts as a 30-minute, professionally pressed, cassette tape, limited to 93 copies, with cover art (see below) by Richard Vergez.

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“Bed-Stuy” A visual poem by A. Souto.

Next Week!



March 19th through the 24th, with VIP party Friday the 22nd @ Superchief Gallery in Manhattan.

Addicted to Fractals

My studies of Benoit Mandelbrot’s theories are finally paying off, I guess.
Last March, I ended a ritual, and began my new year journey, with a series of digital photos. The first series was with a broken camera, where I captured black and white shots of trees.
Ending another ritual this year, I’ve been playing with that series, and am having a few of them printed up.

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They are rather large (25” x 18”), and will look really nice, especially on high-quality photo paper.
I am also printing up smaller pieces, then make similar, larger collages out of those. They can cover walls of any size, and produce even more fractal patterns.

So Very Incorrigible

Pieces from my new series, A Joyous Swastika, will be up, for one week only (March 19 - 24), at Superchief Galley in NYC’s Lower East Side, for the group show INCORRIGIBLE.
The show is curated by Vincent S Bäeza.
Opening party on the 19th, VIP party Friday the 22nd, and closing party on the 24th.